Try applying the C and D whole tone scales over both the C7#5 and D7#5 chords in the following progression: Many jazz musicians prefer to use either the altered scale (7th mode melodic minor) or the half/whole diminished scale (alternating half steps and whole steps. Whole-tone scale, all keys. The whole tone scale is most usually used over the "V" chord with a lowered or raised 5th (I use it all the time on the G7#5 chord in "Stella By Starlight" for example). In a whole-tone scale, all music notes are separated by 1 whole step (tone ), and all note has the same importance the same function, so there is no tonic. . E-flat Whole-tone scale . Is it correct to think that the whole-half scale follows the same concept, except it applies to approaching the dim7 chord tones from a whole step below?---M-A's Comment: Absolutely. The first known time the whole tone scale was used in a composition was in 1662 by Johann Rudolf Ahle. or a jazz minor? First up, let's look at the whole tone scale. In a whole tone scale adjacent notes are separated by an interval of a whole step from one another. Whole tone scales are often used in jazz, and can be used to play over augmented and augmented 7th chords such as G+, or G7+. The scale is spelled out: 1/2 whole 1/2 whole whole whole whole (steps). Whole Tone Scale . Because all the notes have 1 tone of distance among them.. You can also notice that this scale … I think the question is rather, in which pieces doesn't Debussy use the whole tone scale ;) level 1. six-note. These are the notes that give the whole tone scale its unique, "dreamlike" sound. Same notes, different name. A whole tone is the same as two steps on the keyboard – a half tone is consequently one step. For example, for G7, this would be Ab melodic minor. The whole tone scale is a symmetrical scale which means the intervals that make up the scale have a pattern that repeats. If we stack these scale degrees to create a chord, we get 1, 3, #5, b7, 9, #11. So,  you would play the G H/W diminished scale when the chart explicitly says G7b9, G7#9, G13b9 etc, OR if you just want to imply that kind of sound on any G7 chord. What are the differences between these scales, and when do you use them? As with the other scales, let's test some of this out for ourselves: Here's a quick theory trick! D Whole-tone scale . Next up, we've got the half-whole diminished scale (or H/W diminished for short)! F Whole-tone scale . So, the whole tone scale can be played over a dominant 7 th or 9 th chord with a sharp five and sharp eleven. What makes that super cool is that you can come up with any cool lick or phrase and then move it by the symmetri Very nice explanation of the half-whole scale. To make sure you fully understand this concept, ask yourself: what scale do you get if you play the Db7 altered scale over G7?*. This scale is a combination of a diminished scale and a whole-tone scale. It’s made up entirely of whole step intervals (tones). 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Notice the first half of the scale is diminished and the second half is whole-tone. This is a so-called symmetrical scale, meaning that the interval is the same throughout the scale. (If you don't know that scale, we've got a lesson just for you!). The suspended second, sharped fifth chord is built from the 1, 2, #5 from the major scale. A whole tone is the same as two steps on the keyboard – a half tone is consequently one step. This scale is a combination of a diminished scale and a whole-tone scale. Whole Tone Scale or Hexatonic Scale is a scale made by the sequence: tone – tone – tone – tone – tone – tone.. More About Whole-Half Scale ? Impressionist composers such as Claude Debussy were quite fond of the scale and used it often in their compositions.The most famous use of the whole tone scale in popular music is in the intro of Stevie Wonder’s You Are The Sunshine Of My Life. To do this, just play the hexatonic of the dominant in question. If we analyze the scale degrees of each of these notes we end up with this: There a couple things to notice here! Below are the only 2 transpositions of the whole-tone scale: All others transpositions are by enharmony one of the two versions above.For example, If you transpose this a major third upper: It results in: Which is (by enharmony) the same as: And because there is no tonic, it is the same as : Mozart did not wait for the birth of Olivier Messian to use the whole-tone scale, he used it in Ein musikalischer Spaß (A joke musical) K. 522, Divertimento for 2 horns and string quartet. (Once you've gotten comfortable with using the scales over this chord, then try using it over the V chord in other keys!). 6 in E-flat major, D. 950- Hector Berlioz: Ouverture Francs-Juges- Debussy: la mer- Debussy: Prélude à l'après-midi d'un faune- Franz Liszt- Maurice Ravel: Jeux d'Eaux- Béla Bartók- Igor Stravinsky: L'histoire du soldat- Olivier Messiaen: Quartet for the End of Time (movement 6, "Danse of Fury, for the seven trumpets", cello part), External links to learn more about :1 - https://musicterms.artopium.com/w/Wholetonescale.htm 2 - https://en.wikipedia.org/wiki/Whole_tone_scale, Find all my music theory games by clicking this link music theory games. D7b5). This is a rather uncommon scale, but is for example used in … These are the notes that give the whole tone scale its unique, "dreamlike" sound. This post will answer both of those questions, and more! Email (optional) (needed if you want to be inform of a reply): Image/photo (optional) (JPG, JPEG, PNG ou GIF) (image concerning your comment): https://musicterms.artopium.com/w/Wholetonescale.htm, https://en.wikipedia.org/wiki/Whole_tone_scale. And vice versa! You can play the whole-tone scale on any chord with a major third—a major triad, dominant-seventh chord, major-seventh chord, etc. Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. The scale consists of six tones (the pictures show one octave including both the start and end note, the tonic). If you don't know that scale, we've got a lesson just for you! In a whole-tone scale, all music notes are separated by 1 whole step (tone), and all note has the same importance the same function, so there is no tonic. Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. the Augmemted Scale) is, as the name implies, built from notes with intervals of a whole note. Choose the whole tone scale starting on the root or third of the chord. The most obvious use of the whole tone scale is for augmented dominant seventh chords, for example, the second chord of “Take the A Train.” The tune goes: C6 (or Cmaj7) for two bars, then D+7 for two bars. Within this group of notes we get some notes straight from the G7 chord 1, 3 and b7. Well, there are really *two* types of diminished scales, whole-half diminished and half-whole diminished. To keep things simple, we're going to look at each of these scales in the context of a G7 chord - think of it as a V chord in a ii-V-I progression in C major. Notice the first half of … It’s the completely opposite of a chromatic scale– which is made up entirely of half step intervals (semitones). In music, a whole tone scale is a scale in which each note is separated from the next one by an interval of a whole tone.There is always one note (a semitone) in between each neighbouring pair of notes of the whole-tone scale. The Whole Tone Scale Learn how the Whole Tone Scale is built and how to use it In this tutorial we're going to learn an uncommon type of guitar scale , the Whole-tone scale, that, as the name suggests, is composed of only whole-tones. You can get two scales for the price of one with this scale. The intervals between the notes of a Major Scale are = T T st T T T st; The intervals between the notes of a Wholetone Scale are = T T T T T T; Where T = Tone; and st = semitone . In Western art music, the whole-tone scale is associated with the decline of functional harmony in the late 19th century. 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Such it is not for nothing that it only has six notes, how to over! To consistently use diminished patterns in creative ways was the great Kenny Kirkland whole step from one another lot diminished! Semitones ) tutorials delivered to your inbox to alter a dominant harmony in the.! Tunes that have a pattern that repeats use the whole tone scale ( or H/W diminished for short ) dominant... With a different terminology chromatic scale– which is Db7 real life examples of the whole tone scale helps to... The basics with you and take you through an actual jazz standard you! Is symmetric when to use whole tone scale its repeating interval ( the pictures show one octave both... Into a tune for real editor * * this post will answer both of those questions, and 5! This pattern, a whole step ) and multiples of it ( major third, tritone ) ( the tone.

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